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Aki Inomata's Interspecies Collaborations: Hermit Crabs, Oysters, and Octopuses as Co-Creators

artist · 2026-05-07

Tokyo-based artist Aki Inomata creates works where living organisms—hermit crabs, oysters, octopuses, and bagworm moths—become collaborators. In 'Why Not Hand Over a 'Shelter' to Hermit Crabs?', 3D-printed transparent shells modeled after New York, Paris, and Tokyo are swapped by hermit crabs, creating moving city silhouettes. 'Think Evolution #1: Kiku-ishi (Ammonite)' offers octopuses reconstructed ammonite shells from fossil scans. 'In Memory of Currency' places currency-like objects inside oysters, which coat them in nacre over months. 'Passing her a piece of cloth' (2022), developed with Shibori-Dyeing Kuno Studio in Arimatsu, lets bagworm moths incorporate dyed shibori fabric into their nests. 'How to Carve a Sculpture' translates beaver chew marks into CNC-carved forms. The 'Satoyama' project explores managed landscapes. Inomata's practice distributes authorship across species, questioning value, shelter, and coexistence.

Key facts

  • Aki Inomata is a Tokyo-based artist.
  • Why Not Hand Over a 'Shelter' to Hermit Crabs? uses 3D-printed shells modeled after New York, Paris, and Tokyo.
  • Think Evolution #1: Kiku-ishi (Ammonite) (2016-2017) provides octopuses with reconstructed ammonite shells.
  • In Memory of Currency (2018-ongoing) involves oysters coating currency-like objects in nacre.
  • Passing her a piece of cloth (2022) was developed with Shibori-Dyeing Kuno Studio in Arimatsu.
  • How to Carve a Sculpture (2018-ongoing) translates beaver chew marks into CNC-carved sculptures.
  • Satoyama (2018) references Japanese managed landscapes.
  • The works are part of designboom's Radical Softness series.

Entities

Artists

  • Aki Inomata

Institutions

  • Shibori-Dyeing Kuno Studio
  • designboom

Locations

  • Tokyo
  • Japan
  • New York
  • Paris
  • Arimatsu

Sources