Aki Inomata's Interspecies Collaborations: Hermit Crabs, Oysters, and Octopuses as Co-Creators
Tokyo-based artist Aki Inomata creates works where living organisms—hermit crabs, oysters, octopuses, and bagworm moths—become collaborators. In 'Why Not Hand Over a 'Shelter' to Hermit Crabs?', 3D-printed transparent shells modeled after New York, Paris, and Tokyo are swapped by hermit crabs, creating moving city silhouettes. 'Think Evolution #1: Kiku-ishi (Ammonite)' offers octopuses reconstructed ammonite shells from fossil scans. 'In Memory of Currency' places currency-like objects inside oysters, which coat them in nacre over months. 'Passing her a piece of cloth' (2022), developed with Shibori-Dyeing Kuno Studio in Arimatsu, lets bagworm moths incorporate dyed shibori fabric into their nests. 'How to Carve a Sculpture' translates beaver chew marks into CNC-carved forms. The 'Satoyama' project explores managed landscapes. Inomata's practice distributes authorship across species, questioning value, shelter, and coexistence.
Key facts
- Aki Inomata is a Tokyo-based artist.
- Why Not Hand Over a 'Shelter' to Hermit Crabs? uses 3D-printed shells modeled after New York, Paris, and Tokyo.
- Think Evolution #1: Kiku-ishi (Ammonite) (2016-2017) provides octopuses with reconstructed ammonite shells.
- In Memory of Currency (2018-ongoing) involves oysters coating currency-like objects in nacre.
- Passing her a piece of cloth (2022) was developed with Shibori-Dyeing Kuno Studio in Arimatsu.
- How to Carve a Sculpture (2018-ongoing) translates beaver chew marks into CNC-carved sculptures.
- Satoyama (2018) references Japanese managed landscapes.
- The works are part of designboom's Radical Softness series.
Entities
Artists
- Aki Inomata
Institutions
- Shibori-Dyeing Kuno Studio
- designboom
Locations
- Tokyo
- Japan
- New York
- Paris
- Arimatsu