Ágnes Eperjesi's 2018-2019 project critiques gender violence through performance and installation
In October 2018, artist Ágnes Eperjesi performed 'You Should Feel Honored' at the Hungarian National Gallery in Budapest, covering Gyula Pauer's bronze sculpture of Csilla Molnár with a red drape. Molnár, who won Hungary's first postwar beauty pageant in 1985, was life-cast nude by Pauer in 1985 and died by suicide in 1986. Eperjesi's performance, documented in photographs, responded to the global Me Too Movement and explored the exploitative casting process where models were touched without consent. In May 2019, she presented a two-part exhibition at Budapest's Fészek Gallery, including archival materials and the installation 'Pathos and Critique' featuring a fiery red 3D-printed head of Molnár's sculpture. The project examined the gender politics of Hungary's neo-avant-garde, highlighting Pauer's controversial role and the lack of feminist discourse. Eperjesi organized a June 2019 roundtable discussing body politics in Hungarian art, noting the patriarchal structures persisting from the Kádár regime to today's Orbán government. Her work connected Molnár's 1980s exploitation to contemporary gender inequality in Hungary, where domestic violence remains unaddressed and the Istanbul Convention is unratified. The project critiqued institutions like the Hungarian National Gallery for reluctance to engage and art historians for ignoring ethical dimensions in Pauer's work.
Key facts
- Ágnes Eperjesi performed 'You Should Feel Honored' in October 2018 at the Hungarian National Gallery in Budapest
- The performance covered Gyula Pauer's bronze sculpture of Csilla Molnár, Hungary's first postwar beauty queen from 1985
- Molnár died by suicide in 1986 after exploitation following the pageant
- Pauer's 1985 life-casting involved nude models touched without consent during the process
- Eperjesi's May 2019 exhibition at Fészek Gallery included archival materials and the installation 'Pathos and Critique'
- The project was inspired by the Me Too Movement and examined gender politics in Hungarian neo-avant-garde art
- A June 2019 roundtable discussed body politics and patriarchal structures in Hungarian art history
- The work connects 1980s exploitation to contemporary gender inequality in Hungary under the Orbán government
Entities
Artists
- Ágnes Eperjesi
- Gyula Pauer
- Csilla Molnár
- András Dér
- László Hartai
- Ferenc Gazsó L.
- Miklós Zelei
- Sándor Friderikusz
- Zsófia Eszter Tóth
- András Murai
- Kata Oltai
- István Antal
- Annamária Szőke
- Éva Körner
- Géza Perneczky
- Dóra Maurer
- Emese Révész
- Joanna Goven
- Walter Benjamin
- Michel Foucault
- Boris Groys
- Judit Acsády
- Andy Warhol
- Louise Bourgeois
Institutions
- Hungarian National Gallery
- acb Gallery
- Balázs Béla Studio
- Hungarian Media
- Lui magazine
- Fészek Gallery
- FERi gallery
- Museum of Fine Arts
- Budapest Műcsarnok
- MTA Művészettörténeti Kutatóintézet
- European Institute for Gender Equality
- NANE Women's Rights Association
- Patent Association
- Fészek Művészklub
- Princeton University Press
- Harvard University Press
- ARTMargins Online
Locations
- Budapest
- Hungary
- New York
- Mannheim
- Germany
- Austria
- Cologne
- Soviet Union
- Princeton
- Cambridge