Afterall's 'Art Becoming Public' Research Explores Exhibition Histories

The research project 'Art Becoming Public' by Afterall delves into the influence of exhibitions on perceptions of art, history, and the global landscape. It scrutinizes curatorial and artistic innovations from the 1950s to today, including audience engagement, abstract environmental designs, Soviet-era apartment 'anti-shows', and curator-driven initiatives that challenge art history or promote social change. The initiative also looks at how exhibitions transition into enduring institutions, ranging from state diplomacy efforts to international artist collaborations. A significant case study is 'The Other Story' (1989–90), curated by Rasheed Araeen at the Hayward Gallery in London, which later traveled to Wolverhampton and Manchester, showcasing Asian, African, and Caribbean artists in postwar Britain. Initially receiving mixed feedback, it ultimately became crucial for overlooked and emerging artists. This research is supported by Afterall's Exhibition Histories book series, doctoral candidates, and the Exhibition Studies master's program at Central Saint Martins, University of the Arts London, in collaboration with Asia Art Archive (Hong Kong), Bard College's Center for Curatorial Studies (New York), the University of Gothenburg's Faculty of Fine, Applied and Performing Arts, and documenta institut.