Afterall Issue 19 Explores Collaborative Art and Pop Culture
Afterall Journal Issue 19, published November 26, 2008, and edited by Pablo Lafuente, examines alternative modes of art production centered on networks and collaborations, challenging the market's focus on individual producers. The issue features artists and groups including gelitin, Chto delat?, The Red Krayola, Asco, Kai Althoff, Hito Steyerl, and Jim Shaw. Lafuente uses the 1979 tour of The Red Krayola and Scritti Politti in England as a lens, citing Green Gartside's idea that music has 'questions built in and assurances left out.' The issue explores how collaborative and interdisciplinary practices—such as Chto delat?'s work with artists, writers, and activists, or Asco's group performances—question official distribution and interpretation mechanisms. Lafuente argues that reworking popular culture imagery, from Spider-Man cartoons to Christian iconography, can disrupt dominant language and complacency. The issue considers whether such vocabularies ultimately 'go down the drain.'
Key facts
- Afterall Journal Issue 19 published November 26, 2008
- Edited by Pablo Lafuente
- Features gelitin, Chto delat?, The Red Krayola, Asco, Kai Althoff, Hito Steyerl, Jim Shaw
- The Red Krayola and Scritti Politti toured England in spring 1979
- The Red Krayola formed in Houston in 1966 as an avant-garde psychedelic group
- Scritti Politti was a young English post-punk band
- Green Gartside stated music has 'questions built in and assurances left out'
- Scritti Politti interview published in fanzine After Hours in 1979
Entities
Artists
- Pablo Lafuente
- Green Gartside
- Nial Jinks
- Kai Althoff
- Hito Steyerl
- Jim Shaw
- The Red Krayola
- Scritti Politti
- gelitin
- Chto delat?
- Asco
Institutions
- Afterall
- Afterall Journal
- Art & Language
- Rough Trade Records
- After Hours (fanzine)
Locations
- England
- Houston
- United States
Sources
- Afterall —