Adriana Varejão retrospective at Pinacoteca do Estado spans decades, coinciding with Brazil's Venice Biennale pavilion

A retrospective exhibition of Adriana Varejão's work is currently on view at the Pinacoteca do Estado in São Paulo, Brazil. The show features pieces created from the 1980s to the present day, including both historical and contemporary works. This presentation marks the 50th anniversary of the Fundação Edson Queiroz, which is being celebrated through the display. Varejão's art engages with themes of colonial violence, particularly referencing the past in Salvador, Brazil. Her practice is described as employing a 'cannibal rhetoric,' drawing connections between disparate historical events such as an earthquake and the Semana de 22. Concurrently, Brazil's participation in the Venice Biennale includes the pavilion 'Comigo ninguém pode: o Brasil na Bienal de Veneza,' which explores themes between wound and healing. Additionally, the Fábrica de Arte Marcos Amaro has recently opened in Itú, Brazil, though its specific relation to Varejão is not detailed. The exhibition at Pinacoteca do Estado is noted for its radical collection, showcasing Varejão's dialogue with Brazil's complex history.