Adrián Villar Rojas's 2014 exhibition Los Teatros de Saturno transforms gallery into an organic installation.
In 2014, Adrián Villar Rojas presented Los Teatros de Saturno, an exhibition that transforms the gallery into a vibrant space filled with mutant organic sculptures, merging baroque extravagance with rustic simplicity. A traveling group of carpenters, welders, farmers, and jewelry artisans contribute to the creation of unique pieces, such as maze-like mutant maize, a jeweled watermelon, and sneakers fused with eggplants. Notable components include deceased betta fish, sprouted potatoes, and crystal-filled sneakers. The exhibition alludes to Saturn as a deity of agriculture, exploring the connections between the artist and his collaborators. It highlights the passage of time and material decay, with the labor behind the scenes being crucial to the artwork. Visitors engage with the immersive environment. Documented in ArtReview, April 2014.
Key facts
- Adrián Villar Rojas created Los Teatros de Saturno in 2014
- The exhibition transforms gallery space into organic installation
- Works feature hybrid objects like sneakers grafted onto eggplants
- Materials include clay, vegetables, fruits, crystals, and plastic
- References Argentine poet Néstor Perlongher's term 'neobarroso'
- Compares to works by Gabriel Orozco and Abraham Cruzvillegas
- Echoes María Teresa Hincapié's 1990 performance piece
- Involves nomadic studio team of craftspeople and farmers
Entities
Artists
- Adrián Villar Rojas
- Walter Benjamin
- Néstor Perlongher
- Gabriel Orozco
- Abraham Cruzvillegas
- María Teresa Hincapié
Institutions
- Serpentine Gallery
- ArtReview
Locations
- London
- United Kingdom