Adorno's Critique of Film as Popular Art Applied to Russian Film "Rusalka" in 2009 Roundtable

In a 2009 roundtable featured in ARTMargins Online, the 2007 Russian film "Rusalka" is analyzed through Theodor W. Adorno's critique of the culture industry. Adorno contended that films should not be likened to fairy tales, perceiving them instead as products of a late industrial society. Directed by an unnamed filmmaker, "Rusalka" draws inspiration from fairy tales such as Andersen's "The Little Mermaid" and Pushkin's "The Golden Fish." The story centers around Alisa (Mariya Shalaeva), whose mother is Mariya Sokova, and her love interest, Sasha, portrayed by Evgenij Tsyganov. The plot follows Alisa's relocation to Moscow, where she endures demeaning jobs and tragic circumstances, ultimately leading to her demise. The film critiques Russia's "barbarian capitalism," with advertising slogans highlighting its themes. The roundtable debates whether "Rusalka" aligns with consumerist aesthetics or conveys a genuine message. Berlin-based authors Matthias Meindl and Svetlana Sirotinina contribute to the discussion.