Adelina Cüberyan von Fürstenberg on Armenia, War, and Cultural Identity
In a conversation with Artribune, curator Adelina Cüberyan von Fürstenberg reflects on the collective anguish experienced by Armenians due to the ongoing conflict in Armenia and Artsakh. Although she resides in Switzerland, her connection to her heritage remains strong. She juxtaposes this challenging period with her experience at the 2015 Venice Biennale, where she curated the Armenian Pavilion that received the Golden Lion, emphasizing the legacy of the genocide and diaspora artists. Von Fürstenberg highlights the unacknowledged trauma of the genocide and its impact on her curatorial vision. In 2017, she organized Armenia's inaugural triennial, showcasing the nation's historical importance. She perceives the current aggression as an economic threat and believes in art's potential to inspire positive transformation, affirming the resilience and hope of Armenians for their homeland.
Key facts
- Adelina Cüberyan von Fürstenberg gave an interview to Artribune about the war in Armenia.
- She describes collective suffering among Armenians, especially in Armenia and Artsakh.
- She curated the Armenian Pavilion at the 2015 Venice Biennale, which won the Golden Lion.
- The 2015 exhibition was held at the Monastery of San Lazzaro and focused on diaspora artists.
- She organized the first triennial in Armenia in 2017, bringing Western artists.
- Armenia adopted Christianity in 301 AD, before the Edict of Constantine.
- She views the conflict as an economic attack that could strengthen Turkey and weaken Europe.
- Diaspora artists are selling works to raise funds for the war effort.
Entities
Artists
- Adelina Cüberyan von Fürstenberg
- Yervant Gianikian
- Anna Boghiguian
Institutions
- Artribune
- Venice Biennale
- Monastery of San Lazzaro
- United Nations
Locations
- Armenia
- Artsakh
- Karabakh
- Switzerland
- Venice
- Italy
- Beirut
- Los Angeles
- Rio de Janeiro
- Florence
- Cilicia
- China
- Turkey
- Europe