Adele Alsop's Second Show at Alexandre Gallery Features Paintings and Monotypes
Adele Alsop, an artist from Utah and a former student of Neil Welliver, showcased her second exhibition at New York's Alexandre Gallery from March 24 to April 30, 2005. The exhibition featured 12 paintings along with an installation inspired by a community theater stage set she had designed. The artworks included rich still lifes, landscapes, and figurative pieces, with standout works like 'Wild Flowers with Full Moon' (2004), which portrayed desert flora. Alsop employed fine-grained linen and a loaded brush to achieve vibrant textures, evident in 'Snow Thunder' (2003) and 'Heart Self' (2003), the latter subtly nodding to Georgia O'Keeffe. Although her monotypes, including 'The Mountain Lion in the Cattails' (2003), showcased impressive textures, some figurative works, like 'Here I Come' (2004) and depictions of the Brazilian sea goddess Imanja, faced criticism for their lack of emotional depth. The exhibition underscored Alsop's observational painting strengths over her experimental figures.
Key facts
- Adele Alsop's second show at Alexandre Gallery ran from March 24 to April 30, 2005.
- The exhibition included 12 paintings and an installation from a community theater stage set.
- Alsop is a former student of Neil Welliver and lives and works in Utah.
- Paintings featured landscapes, still lifes, and figurative works, with 'Wild Flowers with Full Moon' (2004) as a highlight.
- Her technique used fine-grained linen and a loaded brush for textured effects.
- The painting 'Heart Self' (2003) subtly references Georgia O'Keeffe.
- Monotypes like 'The Mountain Lion in the Cattails' (2003) had tactile depth and materiality.
- Figurative pieces, including depictions of Imanja, were criticized as unfelt and unconvincing.
Entities
Artists
- Adele Alsop
- Neil Welliver
- Georgia O'Keeffe
Institutions
- Alexandre Gallery
- The New York Sun
- artcritical
Locations
- New York
- United States
- Utah
- Brazil