Aby Warburg's Mnemosyne Atlas Published by L'écarquillé
L'écarquillé has released a new edition of Aby Warburg's unfinished Mnemosyne Atlas, reproducing all sixty-three plates with a preface by Roland Recht. The atlas, a work in progress, is a monumental project of iconographic juxtapositions aimed at uncovering a figurative grammar of expressive forces—both emotional and stylistic—through memory. Warburg sought to create 'ghost stories for adults,' revealing engrams and primal rhythms haunting artworks, rather than tracing formalist art-historical lineages. The plates, originally lecture aids, gained autonomy and functioned in dialogue with the Warburg Library, whose books are organized into four themes: image, word, orientation, and action. Recht frequently cites Warburg's working journal to explain this logic of adjacency and montage. Mnemosyne is less a theory than a philosophical gesture toward the universal while preserving the fundamental heterogeneity of its objects. Through an 'iconology of the interval,' Warburg enacted a singular montage-thinking to navigate human thought via the survivals of human life imprinted in artworks.
Key facts
- L'écarquillé published Aby Warburg's Mnemosyne Atlas with all 63 plates
- Roland Recht wrote the preface
- The atlas is an unfinished work in progress
- Warburg aimed to create 'ghost stories for adults'
- The plates originally served as lecture aids
- The atlas relates to the Warburg Library's four themes: image, word, orientation, action
- Warburg's method is described as an 'iconology of the interval'
- The project seeks to uncover engrams and primal rhythms in artworks
Entities
Artists
- Aby Warburg
- Roland Recht
- Pierre Eugène
Institutions
- L'écarquillé
- Warburg Library
Sources
- artpress —