Abdelkader Benchamma on Drawing, Cosma Exhibition, and Baroque Inspiration
Artist Abdelkader Benchamma discusses his primary medium of drawing and his upcoming exhibition Cosma at Galerie Templon in Paris. He explains that drawing, with its simplicity of materials like charcoal and ink, offers vast experimental possibilities. His wall drawings are created site-specifically without projection, guided by organic processes and physical exertion. For Cosma, he draws inspiration from the exuberant motifs of Baroque churches, particularly the 17th-century Chiesa del Gesu in Palermo, and Rorschach inkblot symmetry. Benchamma also reveals a recent shift toward incorporating color, influenced by a residency at Palazzo Butera in Palermo with the French Institute, where the color ranges of Italian marble inspired him to subtly blend abstraction and figuration. He continues to explore drawing as a form of writing that supports thought and imagination, bridging science and esotericism.
Key facts
- Abdelkader Benchamma's exhibition Cosma is at Galerie Templon in Paris.
- Benchamma creates wall drawings without video projection, site-specific to spaces.
- Inspiration for Cosma includes Baroque church motifs and Rorschach tests.
- He references the 17th-century Chiesa del Gesu in Palermo.
- Color integration was influenced by a residency at Palazzo Butera in Palermo.
- The residency was in collaboration with the French Institute.
- Benchamma studied at the École Supérieure des Beaux Arts de Paris.
- His work Neither the sky, nor the earth was produced for the 13th Sharjah Biennial.
Entities
Artists
- Abdelkader Benchamma
Institutions
- Galerie Templon
- École Supérieure des Beaux Arts de Paris
- Sharjah Biennial
- Palazzo Butera
- French Institute
Locations
- Paris
- France
- Palermo
- Italy
- Sharjah
- United Arab Emirates