À l'heure dorée at Deborah Schamoni, Munich

The exhibition 'À l'heure dorée' at Deborah Schamoni in Munich brings together four artists whose works explore the transient quality of the golden hour. Kateryna Lysovenko presents monumental paintings thinned to translucence, with works like 'How strong hearts can be broken' and 'Mermaids embrions' referencing Ukrainian folklore. Hilda Kortei offers improvisational collages and paintings that interrupt conventional forms, with titles like 'black. Thus,' and 'No prize.' Ad Minoliti introduces geometric abstraction transformed into fable, featuring creatures like 'Zorrx' and 'Many' that embody utopian encounters. Francis Offman closes with works made from coffee grounds, ink, and resins on jacquard, reflecting on colonial history and residue. The exhibition is curated to unfold as an unfinished script, with each artist contributing to a constellation of moments at the edge of disappearance.