1960s Painters Confronted Non-Figurative Art and Consumer Imagery
In the 1960s, painters faced the dual challenge of the dominance of non-figurative painting and a world saturated with hyper-reproducible images, simulacra, and consumerism. They grappled with how to integrate representations of street life and advertising into their practice, critically or not, while rejecting all forms of seduction.
Key facts
- The article discusses painters of the 1960s.
- They confronted the preeminence of non-figurative painting.
- They faced a world saturated with hyper-reproducible images, simulacra, and consumption.
- The question was how to integrate representations of street life and advertising.
- This integration could be critical or not.
- They aimed to make a clean break from all seduction.
- The article is from artpress.com.
- The article is titled 'Dernière station avant l'autoroute'.
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