Youth Music Organization Launches Decade-Long National Strategy for Australian Music Access

The Push, a youth music organization with a four-decade history in Victoria that expanded nationally in 2023, has introduced a comprehensive ten-year strategy titled 'A National Plan for Young Australians and Music (2026-2036).' The plan was formally presented at Parliament House in Canberra by a delegation of thirty young people. This initiative advocates for treating music as essential public infrastructure comparable to education, sports, and health services, aiming to ensure universal access regardless of geographic location, financial means, or personal circumstances. The organization's chief executive, Kate Duncan, emphasized that musical opportunities have historically been inconsistent and called for coordinated national pathways similar to those in athletics. The strategy was developed collaboratively with young Australians, artists, educators, industry representatives, and government officials. It identifies significant barriers, including that one-third of secondary students lack school music programs and that regional and remote areas face particular challenges with venue availability. The plan outlines four primary objectives: guaranteeing universal access, establishing viable career pathways, increasing visibility of Australian music, and recognizing music's role in social well-being. Supporting research cited includes a study by Dr. Jason Goopy from Edith Cowan University, which found community music education can enhance lifelong well-being, and a survey by The Push and YouGov indicating 72% of young people view live music as crucial for social connection in a post-social media environment. The Push has submitted a budget request of $13.4 million to the federal government to support all-ages live music events, school tours, and career development for over 160,000 youths. Federal Arts Minister Tony Burke endorsed the plan, noting it aligns with ongoing development of a new National Cultural Policy and addresses the need for real-world cultural engagement following recent social media reforms. The strategy frames music not as a discretionary activity but as a vital tool for social cohesion, economic participation, and national identity.