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Yanis Varoufakis on America's Lost Catharsis Through Art

opinion-review · 2026-07-22

In a personal essay for Project Syndicate, economist Yanis Varoufakis reflects on America's democracy through the lens of art and culture, arguing that the nation's capacity for catharsis—a concept he traces to Aristotle's Poetics—was stifled by economic shifts after the 1971 Nixon Shock. He recalls how American films, literature, and music once offered profound critiques of society, citing works like Francis Ford Coppola's Apocalypse Now, Roman Polanski's Chinatown, and John Steinbeck's The Grapes of Wrath. Varoufakis contrasts this with the rise of jingoistic entertainment in the 1980s, such as Rambo and Top Gun, and the financialization that led to Donald Trump's presidency. He concludes that America's tragedy remains unresolved, to the detriment of all.

Key facts

  • Yanis Varoufakis wrote an essay for Project Syndicate about America's democracy.
  • The essay focuses on art to critique American society.
  • Varoufakis recalls his mother's reaction to Robert F. Kennedy's assassination in 1968.
  • He cites films like Apocalypse Now, Chinatown, and Taxi Driver as critiques of America.
  • He references Thorstein Veblen's The Theory of the Leisure Class and John Steinbeck's The Grapes of Wrath.
  • The Nixon Shock of 1971 is identified as a turning point that ended catharsis.
  • Varoufakis argues that financialization and Big Tech have solidified societal schisms.
  • He links the loss of catharsis to the rise of Donald Trump's presidency.

Entities

Artists

Institutions

  • Project Syndicate
  • CIA
  • Bretton Woods system

Locations

  • Athens
  • Greece
  • United States
  • California
  • Marfa
  • Texas
  • New York City
  • Vietnam

Sources