ARTFEED — Contemporary Art Intelligence

Vampires in Literature and Art: A Cultural History

publication · 2026-06-03

The vampire myth has evolved from global folklore to a dominant figure in literature and visual culture. In 19th-century Europe, folkloric undead creatures from Slavic traditions were adapted by Romantic poets like Robert Southey, Samuel Taylor Coleridge, and Lord Byron. John Polidori's 1816 novella 'The Vampyre' introduced the charismatic aristocratic vampire, inspired by Byron. Penny dreadfuls like 'Varney the Vampire' (1845-47) added fangs and financial vampirism. Sensation novels by Florence Marryat and Mary Elizabeth Braddon explored scientific and racial themes. Joseph Sheridan Le Fanu's 'Carmilla' (1872) featured overt homoeroticism. Bram Stoker's 'Dracula' (1897) cemented the vampire in Gothic fiction, addressing anxieties about gender, sexuality, and social mobility. In visual art, the female vampire emerged as a femme fatale, depicted by Félicien Rops, Edvard Munch, and Philip Burne-Jones. Film adaptations began with F.W. Murnau's 'Nosferatu' (1922), introducing sunlight vulnerability, followed by iconic portrayals by Bela Lugosi (1931) and Christopher Lee (1958). The vampire continues to thrive in contemporary media, from 'Interview with the Vampire' to 'Twilight' and 'Buffy the Vampire Slayer', sustained by goth subculture.

Key facts

  • Vampire folklore exists across cultures including West Africa's Sasabonsam, Madagascar's ramanga, Aztec Cihuateteo, and the chupacabra.
  • The 19th-century literary vampire emerged from Slavic folklore, recorded by ethnographers in the 18th century.
  • Robert Southey's 'Thalaba the Destroyer' (1801) and Coleridge's 'Christabel' (1816) featured vampiric spirits.
  • Lord Byron's 'The Giaour' (1813) described vampires as tomb-rent creatures.
  • John Polidori's 'The Vampyre' (1816) created the charismatic aristocratic vampire Lord Ruthven.
  • 'Varney the Vampire' (1845-47) introduced fangs and financial vampirism.
  • Florence Marryat's 'The Blood of the Vampire' (1897) addressed miscegenation and degeneration.
  • Mary Elizabeth Braddon's 'Good Lady Ducayne' (1896) featured a medical vampire using chloroform and transfusion.
  • Joseph Sheridan Le Fanu's 'Carmilla' (1872) depicted overt homoerotic vampirism.
  • Bram Stoker's 'Dracula' (1897) used multi-layered narrative and addressed gender and sexuality.
  • Félicien Rops depicted devil-women in Gothic scenes blending sexual ecstasy with death.
  • Edvard Munch's 'Love and Pain' (1895) is often called 'Vampire', showing a consuming female figure.
  • Philip Burne-Jones's 'The Vampire' (1897) was inspired by Rudyard Kipling's poem.
  • F.W. Murnau's 'Nosferatu' (1922) introduced sunlight as fatal to vampires.
  • Bela Lugosi (1931) and Christopher Lee (1958) played Dracula as a suave aristocrat.
  • The vampire has been adapted in films like 'I Am Legend', 'The Hunger', 'Only Lovers Left Alive', and TV series 'Interview with the Vampire'.
  • Goth subculture since the 1980s, with bands like Bauhaus, has kept the vampire image alive.

Entities

Artists

Institutions

  • National Geographic
  • Wikimedia Commons
  • Berlin Archive for Art and History
  • Government Art Collection, UK
  • British Library, London
  • Spooky Isles
  • Österreichische Galerie Belvedere, Wien
  • Los Angeles County Museum of Art
  • Munch Museum, Oslo
  • Art UK
  • Lady Lever Art Gallery, Wirral, UK
  • Cultura Colectiva
  • Pop Matters
  • Universal Studios
  • BFI

Locations

  • West Africa
  • Madagascar
  • Aztec
  • North America
  • Central America
  • South America
  • Philippines
  • Europe
  • Bulgaria
  • Romania
  • Portugal
  • Lake Geneva
  • Villa Diodati
  • Belgium
  • Britain
  • Transylvania
  • England
  • United States
  • New York
  • New Orleans
  • Oslo
  • Wien
  • London
  • Wirral, UK

Sources