Restoring Warhol and Haring's fragile materials: glitter, chalk, urine, and neon
Restorers Isabel Gebhardt and Michaela Tischer of the Doerner Institut highlight the challenges in preserving artworks by Andy Warhol and Keith Haring that use unconventional, fragile materials. Warhol's 'Diamond Dust' works from 1979, which actually use ground glass, present cleaning difficulties due to their rough, dust-attracting surfaces. His 'Oxidation Paintings' from the late 1970s, created with copper powder and urine, undergo ongoing chemical changes accelerated by climatic fluctuations. Keith Haring's 'Subway Drawings' from early 1980s New York, made with chalk on paper, survive in only six examples at the Museum Brandhorst, where contamination and removal marks are intentionally preserved. Both artists also employed neon colors, which are highly sensitive to light and UV radiation, requiring strict display controls. The blog post was published on October 20, 2024, for the 7th European Day of Restoration, focusing on specific conservation approaches needed in museum practice.
Key facts
- Andy Warhol used ground glass, not diamond dust, for glitter effects starting in 1979.
- Keith Haring created approximately 5000 'Subway Drawings' in New York subway stations in the early 1980s.
- Only six of Haring's original 'Subway Drawings' are preserved at the Museum Brandhorst.
- Warhol's 'Oxidation Paintings' involve copper powder and urine, causing ongoing chemical changes.
- Neon colors used by both artists are highly sensitive to light and UV radiation.
- Restoration challenges include cleaning fragile surfaces and controlling environmental conditions.
- The blog post was published on October 20, 2024, for the 7th European Day of Restoration.
- Restorers Isabel Gebhardt and Michaela Tischer work at the Doerner Institut within the Museum Brandhorst.
Entities
Artists
Institutions
- Doerner Institut
- Museum Brandhorst
Locations
- New York
- United States