Reconstructing the Lost Sounds of Ancient Greek Music
Scholars have reconstructed ancient Greek music using archaeological discoveries, papyrus fragments, and ancient writings. Music permeated all aspects of Greek life—education, religion, warfare, and entertainment. Two notation systems (vocal and instrumental) developed around 400 BC, tabulated by bishop Alypius around AD 500. Key surviving sources include the Euripides Orestes papyrus fragment (ca. 200 BC), two Delphic Hymns to Apollo (ca. 138 BC), the Seikilos Epitaph (first century AD), and hymns by Mesomedes of Crete (second century AD). The Orestes fragment, discovered in Hermopolis, Egypt, from mummy cartonnage, contains seven lines of music. The Delphic Hymns, found by French archaeologist Théophile Homolle, were transcribed by Théodore Reinach. The Seikilos Epitaph, discovered in 1883 near Aydin, Turkey, by Edward Purser, is the oldest complete surviving song. Mesomedes' hymns were preserved through Byzantine manuscripts and studied by Vincenzo Galilei in 1581. Modern reconstructions by Michael D'Angour and others have brought these ancient melodies to life.
Key facts
- Music played a central role in ancient Greek education, religion, warfare, and entertainment.
- Two notation systems for vocal and instrumental music were developed around 400 BC.
- Bishop Alypius tabulated the notation system around AD 500.
- The Euripides Orestes papyrus fragment (ca. 200 BC) contains seven lines of music.
- The Orestes fragment was discovered in Hermopolis, Egypt, from mummy cartonnage.
- Two Delphic Hymns to Apollo (ca. 138 BC) were discovered by Théophile Homolle.
- Théodore Reinach transcribed the Delphic Hymns into modern notation.
- The Seikilos Epitaph (first century AD) is the oldest complete surviving song.
- The Seikilos Epitaph was discovered in 1883 near Aydin, Turkey, by Edward Purser.
- Mesomedes of Crete's hymns were preserved in Byzantine manuscripts.
- Vincenzo Galilei studied Mesomedes' hymns in his 1581 Dialogo della musica antica e della moderna.
- Michael D'Angour reconstructed the Orestes fragment into a full performance in 2017.
Entities
Artists
- Euripides
- Athenaios son of Athenaios
- Limēnios of Athens
- Seikilos
- Mesomedes of Crete
- Aristoxenus
- Ptolemy
- Aristotle
- Plato
- Homer
- John Singer Sargent
- Gabriel Faurè
- Michael D'Angour
- Armand D'Angour
- William S. Annis
- Henri Weil
- Théodore Reinach
- Théophile Homolle
- Vincenzo Galilei
- Galileo Galilei
- Edward Purser
- Archduke Ranier of Austria
- John H. Chalmers
- Christodoulos Halaris
- Lennart Larsen
- Szymon Kobalczyk
- Michael Nicht
- Niobid Painter
- Danaë Painter
- Berlin Painter
- John Collier
Institutions
- Austrian National Library
- National Museum of Denmark
- Metropolitan Museum of Art
- Museum of Fine Arts, Boston
- Art Gallery of South Australia
- Walters Art Museum
- Österreichische Nationalbibliothek
- Antigone Journal
- TheCollector
Locations
- Delphi
- Greece
- Athens
- Delos
- Attica
- Aydin
- Turkey
- Smyrna
- Hermopolis
- Egypt
- Vienna
- Austria
- Copenhagen
- Denmark
- Florence
- Italy
- Mount Parnassus
- Castalian spring
- Pytha
- Rome
- Roman Empire
- Constantinople
- Asia Minor