Martin Luther's Musical Legacy: How the Reformation Transformed Church Music and Influenced Centuries of Composers
In 1517, Martin Luther, a German priest from the 16th century, sparked the Protestant Reformation and significantly transformed Western music by promoting congregational involvement. Recognizing music as a sacred gift, Luther favored straightforward hymns with German lyrics. These chorales, which were first published using Gutenberg's printing press, quickly gained popularity; in 1524, people in Magdeburg sang them to protest against indulgences. Luther created numerous chorales, alongside followers like Elisabeth Cruciger. This musical tradition influenced later composers such as Heinrich Schütz and Johann Sebastian Bach. Felix Mendelssohn incorporated Luther's "Ein feste Burg" into his 19th-century Reformation Symphony, while 20th-century works by Julius Eastman and Myra Hess also featured Lutheran chorales.
Key facts
- Martin Luther nailed his 95 theses to Wittenberg's church door on October 31, 1517
- Luther was excommunicated and declared a heretic at the Diet of Worms
- Lutheran chorales used simple German lyrics instead of Latin for congregational singing
- The first Lutheran hymnals were printed using Gutenberg's movable type press
- Elisabeth Cruciger wrote hymns after abandoning her holy orders to follow Luther
- Johann Sebastian Bach composed hundreds of chorale arrangements 200 years after Luther
- Felix Mendelssohn's Reformation Symphony commemorated 300 years since the Reformation
- Julius Eastman incorporated "Ein feste Burg" into his 1970s minimalist work "Gay Guerilla"
Entities
Artists
- Martin Luther
- Elisabeth Cruciger
- Heinrich Schütz
- Johann Sebastian Bach
- Felix Mendelssohn
- Julius Eastman
- Bertolt Brecht
- Kurt Weill
- Myra Hess
- Johannes Gutenberg
- Gabrieli
- Monteverdi
Institutions
- Radio 3
- National Gallery
- Basilica of St Mark's
Locations
- Wittenberg
- Germany
- Worms
- Berlin
- Mainz
- Magdeburg
- Pomerania
- Poland
- Venice
- Manhattan
- Britain