Five Notable Last Supper Departures from Da Vinci's Iconic Interpretation
An article highlights five significant artistic interpretations of the Last Supper distinct from Leonardo da Vinci's renowned version. Da Vinci's late 15th-century mural in Milan's Santa Maria delle Grazie convent captures the moment Jesus announces Judas's betrayal. The featured works include Vincent van Gogh's 1888 'Café Terrace at Night,' which some interpret as containing symbolic references; Ugolino di Nerio's circa 1325-30 panel; Juan de Juanes's 1562 painting; Jacob Cornelisz van Oostsanen's 1523 depiction emphasizing the Passover meal; and Gerard Hoet's 1728 illustration connecting the event to Old Testament themes. The analysis contrasts these works with Da Vinci's to explore varied artistic and scriptural approaches to the biblical scene.
Key facts
- Leonardo da Vinci's 'The Last Supper' is a mural from 1495-1498 located in the Santa Maria delle Grazie convent in Milan, Italy.
- Vincent van Gogh's 'Café Terrace at Night' (1888) is noted for potential symbolic allusions to the Last Supper, though not explicitly confirmed by the artist.
- Ugolino di Nerio (Ugolino da Siena) created a panel painting of the scene around 1325-1330, featuring a historically low table.
- Juan de Juanes painted a detailed version in 1562, including foot-washing elements and identifying the disciples.
- Jacob Cornelisz van Oostsanen's 1523 work and Gerard Hoet's 1728 illustration emphasize the Last Supper's connection to the Jewish Passover meal from the Old Testament.
Entities
Artists
- Leonardo da Vinci
- Vincent van Gogh
- Ugolino di Nerio (Ugolino da Siena)
- Juan de Juanes
- Jacob Cornelisz van Oostsanen
- Gerard Hoet
Institutions
- Santa Maria delle Grazie
- Kröller-Müller Museum
- The Metropolitan Museum of Art
- Museo del Prado
- The British Museum
Locations
- Milan
- Italy
- Otterlo