Comparative Analysis of Divine Seating Arrangements in Medieval Korean and Byzantine Artworks
An article by Justin Willson, a Mellon Postdoctoral Fellow at The Cleveland Museum of Art and Case Western Reserve University, examines how seating arrangements for deities reflect theological hierarchies in different cultures. The piece analyzes three artworks from the museum's collection: a 15th-century Korean bronze shrine depicting the Amitabha triad, a circa 1450 Byzantine icon of the Trinity from Constantinople, and a 14th-century English Psalter leaf. These works demonstrate how artistic composition conveys beliefs about divine relationships, with the Korean piece emphasizing centrality and the Christian works exploring placement and honor through symbolic seating. The analysis connects these visual traditions to broader cultural and liturgical contexts.
Key facts
- Justin Willson authored the analysis as a Mellon Postdoctoral Fellow in Art History Leadership at The Cleveland Museum of Art and Case Western Reserve University.
- The article examines three artworks: a 15th-century Korean bronze shrine (1918.501), a circa 1450 Byzantine icon of the Trinity (2016.32), and a 14th-century English Psalter leaf (1999.125).
- The Byzantine icon was acquired by The Cleveland Museum of Art in 2016 from London's Temple Gallery and is considered the earliest known example of its type in Byzantine panel painting.
Entities
Artists
- Follower of the Master of the Queen Mary Psalter
Institutions
- The Cleveland Museum of Art
- Case Western Reserve University
- Temple Gallery
Locations
- Cleveland
- Korea
- Constantinople (Istanbul)
- England
- London